So when nudity enters the (literal) picture, it complicates the relationship between viewer and viewed. It’s “content” that deserves an “advisory,” or something akin to “porn,” however the Supreme Court is classifying that these days.Īs many have noted, the very nature of the actor’s job demands the audience look at them. But the nude scene in movies is rarely discussed alongside a Canova marble statue or Manet’s “Olympia.” Movies blur the boundaries between “real life” and artistic indirection so thoroughly that people discuss nude scenes in movies as practically everything but art.
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The history of painting and sculpture is full of nude portraiture, which is regularly and comfortably classified as art. That line from Akira Kurosawa’s “Ikiru” sums up a lot of feelings people seem to have about nudity in film. It's pleasant enough as a date movie, but that's all.“That’s not art. How, really, do you approach the subject of having sex with your husband if you don't remember him? Especially when he is theoretically not the kind of man you would choose, and you believe you're engaged to a man you love? "The Vow" never really grapples with those issues. One can imagine the anguish of the case in real life. The way the story resolves itself offers poetic justice.īut it's all too painless. The more we discover about the story, indeed, the nicer a guy Leo turns out to be.
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"The Vow" is more of a sweet date movie for Valentine's Day the women can identify with this poor Paige who belongs with the handsome Leo, and the guys can think that Rachel McAdams has just about the sweetest smile since Marisa Tomei. This same story could be a fraught melodrama with pumped-up characters and dire consequences. They connive to take advantage of her memory loss, which has so conveniently eradicated all of the changes they disapprove of. Nor are her parents evil, although there is something snaky about the Sam Neill character.
From head on, he's friendly and handsome. From some camera angles, he reminds us a little of Wile E. Scott Speedman is a good choice for the old fiance. But all of this is alien to the old Paige she she's still attracted to Jeremy. Leo, it must be said, is a paragon of patience, taking Paige to their favorite date spots, reminding her she's a vegetarian, showing her the studio she has forgotten.
Paige and Leo don't seem headed in that direction. This film is based on the real-life story of Kim and Krickitt Carpenter she never did regain her lost memories, but they're together today, with two children. Leo persuades her to come home with him and see if any memories return, but it's as if she's living with a stranger. Her parents, who approved of Jeremy but not of Leo, couldn't be happier, and expect to bring her home with them. She thinks she still lives with her folks ( Sam Neill and Jessica Lange) and is still engaged to Jeremy ( Scott Speedman).
Indeed, she thinks she is the same person she was before her life changed. When she recovers, she has no memory of ever meeting or being married to Leo. She remains in a drug-induced coma to assist her brain in reducing its swelling. Then one snowy night, the two are rear-ended by a truck. They look great together, and as played by Rachel McAdams and Channing Tatum why shouldn't they? The actors bring a dreamy warmth to their roles.
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